She primarily acts for independent film producers, and has also advised financiers, banks and non‑bank lenders, directors, creatives, YouTubers and social media content creators. Freya particularly enjoys working on the closing of production finance transactions for Australian domestic productions and international co‑productions.

• Day‑to‑day production legal services
• Bespoke production agreements (including picture vehicle structures)
• Composer agreements and music licensing
• Complex post‑production and VFX agreements
• Short‑form, non‑union and online productions
• Web series and digital content (including YouTube and social platforms)
• Development‑stage advice
• Acting for directors and other creatives
• Chain of title opinions
• Drafting and settling corporate governance documentation, including constitutions, policies and procedures for NGOs and incorporated associations

Freya also has particular experience advising on Australia’s federal film and television tax offset regime, including:

• Drafting and responding to POCU and IFPC reports
• Advising on alignment of documentation with legislative requirements
• Assisting with reviews of government decisions and related procedural matters
• Briefing counsel

Other released projects Freya has worked on include Fing! (2026), Whale Shark Jack (2026), Alphabet Lane (2025), The Surfer (2024), Addition (2024), The Wolves Always Come at Night (2024), Unofficial History (2025) and The Way We Wore (2023).